94-in/94-out USB 3.0 Audio Interface, 24-bit/192kHz, with 4 Mic/Line Preamps, ADAT and AES/EBU Digital I/O, MADI I/O, MIDI I/O, 2 Headphone Outputs, Direct USB Recording, and DSP Effects - Mac/PC
Rated 5/57 reviewsWrite your reviewItem ID: FirefaceUFX3
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RME Fireface UFX III USB 3.0 Audio Interface
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RME's Most Capable Flagship Interface Yet
The RME Fireface UFX III is the company's most potent flagship-level interface yet, boasting SteadyClock FS, upgraded AD/DA and mic preamps, USB 3.0 and USB-C connectivity, internal DSP effects, and more. And, of course, the Fireface UFX III vaunts RME's renowned low-latency hardware and driver design for flawless operation in every application. This 94-in/94-out unit was built to tackle large-scale projects via four onboard microphone preamps and 128 channels of MADI I/O. You also get unprecedented direct USB recording, thanks to RME's DURec feature. The Fireface UFX III's internal DSP includes 188 channels of EQ and dynamics processing along with a reverb/delay bus, extensive control room capabilities, and an automatic mic gain feature. A comprehensive cache of plug-ins and standalone software applications adds even more value to this excellent interface. For multitrack recording, mixing, mastering — or all of the above — you'll find the RME Fireface UFX III to be an exceedingly capable studio tool.
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Jam-packed with performance and feature upgrades
The Fireface UFX III offers a significant advancement over its predecessors. For starters, this audio interface includes upgraded AD/DA, along with RME's state-of-the-art SteadyClock FS technology, ensuring that you'll experience crystal-clear, jitter-free sound reproduction. Its four improved mic preamps offer hyper-accurate audio capture with enough juice to accommodate your gain-hungry microphones. You also get USB 3.0 and USB-C connectivity for maximum future-proofing.
Tailor-made for large-scale productions
If you're working on massive-sized projects, you'll appreciate the RME Fireface UFX III's generous complement of I/O. Four mic/line preamps and eight TRS line inputs provide ample analog connectivity, bolstered by two XLR outputs and six TRS outputs. Optical ADAT and AES/EBU digital I/O supply plenty of room for expansion. You also get 128 channels of MADI I/O for demanding large-scale applications. Dual headphone outputs and MIDI I/O round out the Fireface UFX III's abundant connections.
Powerful internal DSP effects
The Fireface UFX III is boiling over with powerful internal DSP. It features the company's powerful TotalMix FX internal digital mixer, which gives you fully independent routing and mixing of all the audio interface's input and playback channels to all its physical outputs. Independent stereo submixes and a full-blown control room section give you comprehensive monitoring capabilities and unparalleled routing flexibility. You also get 188 channels of EQ, 188 channels of dynamics processing, a reverb/delay bus, and automatic mic gain. To top it off, you can control the Fireface UFX III using TotalMix Remote software on your Mac, PC, or iOS device.
RME Fireface UFX III USB 3.0 Audio Interface Features:
- 94-in/94-out USB 3.0 audio interface tailor-made for massive-sized applications
- Upgraded AD/DA yields crystal-clear audio quality
- State-of-the-art SteadyClock FS technology ensures jitter-free sound reproduction
- Low-latency hardware and driver design for flawless operation in every application
- 4 upgraded mic/line preamps offer ample gain and hyper-accurate audio capture
- 8 TRS line inputs provide ample analog connectivity, which is bolstered by 2 XLR outputs and 6 TRS outputs
- Optical ADAT and AES/EBU digital I/O supply plenty of room for expansion
- 128 channels of MADI ensure enough I/O for demanding large-scale applications
- MIDI I/O makes integrating external hardware a breeze
- DURec supplies unprecedented direct USB recording
- TotalMix FX provides independent routing and mixing of all input and playback channels to all physical outputs
- Allows independent stereo submixes and includes a control room section with comprehensive monitoring capabilities
- Internal DSP provides 188 channels of EQ, 188 channels of dynamics processing, a reverb/delay bus, and automatic mic gain
- Remote control using TotalMix Remote software on a Mac, PC, or iOS device
- Comes with RME's DigiCheck tool, iZotope Ozone 10 Elements, S-Gear Guitar Amp Sim, Brainworx bx_opto and bx_masterdesk, and Antares Auto-Tune Unlimited
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Warranty Info
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Tech Specs
- Computer Connectivity: USB 3.0
- Form Factor: Rackmount
- Simultaneous I/O: 94 x 94
- Number of Preamps: 4
- Phantom Power: Yes
- A/D Resolution: Up to 24-bit/192kHz
- Effects: DSP EQ, Dynamics, Reverb, Delay
- Analog Inputs: 4 x XLR-1/4" combo (mic/line), 8 x 1/4" TRS (line)
- Analog Outputs: 2 x XLR, 6 x 1/4" TRS
- Digital Inputs: 2 x Optical Toslink (ADAT), 1 x MADI Optical, 1 x XLR (AES/EBU)
- Digital Outputs: 2 x Optical Toslink (ADAT), 1 x MADI Optical, 1 x XLR (AES/EBU)
- Headphones: 2 x 1/4"
- MIDI I/O: In/Out
- USB: 1 x Type B, 1 x Type A (remote)
- Clock I/O: 2 x Word Clock
- Software: RME Digicheck, TotalMix Software
- OS Requirements - Mac: macOS 10.12
- OS Requirements - PC: Windows 8.1
- Rack Spaces: 1U
- Power Supply: Standard IEC AC Cable
- Height: 1.73"
- Width: 19"
- Depth: 8.5"
- Weight: 6.6 lbs.
- Manufacturer Part Number: Fireface UFX III
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Customer Reviews
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ABSOLUTELY FANTASTIC INTERFACE!! RME hit a home run!
The big issue that folks need to be prepared for is TotalMix. This is the built-in mixing console that comes with most RME interfaces. It is extremely, extremely powerful. Yes, it's a little cumbersome at first and there is a learning curve. Once you figure it out, though, you will be amazed at what you can do with it. I would suggest watching some of Barry Johns' YouTube videos on TotalMix as he is putting together a series of tutorials that definitely help. In the event you get frustrated with TotalMix, simply change the operational mode to 'DAW Mode' and Totalmix will integrate directly with your DAW and you can manage everything within your recording software. That's what I did, but occasionally, I'll switch back to 'Full Mode' and try a few different 'experiments' for fun.
I would also highly recommend buying the RME ARC external controller. It's well worth it and convenient.
I can not say enough good things about RME. They really make great quality gear. If you can afford it, take the plunge and you won't regret it!
AS always, a big thanks to my account rep, Evan Mehre, for his support over the years!
Loving it!
WOW what a interface.
I being using a Presonus 192 for the last 6 years and wanted to upgrade. This interface didn't disappointed. Highly recommend.
The Mothership
The DuRec Feature saved me on the first recording I did with the unit(Emanuel Ax with the QCSO.) This interface can be the centerpiece of any studio or remote rig.
RME = Pro-level reliability and support.
If you're looking for a flagship upgrade that's transparent, has incredible scalability, and more I/O for the future, I highly encourage you to consider any of the RME lineup for your needs. Don't let 'you must learn Totalmix' hold you back - once you get it, it's a flexible and fantastic underlay for your DAW.
See also:USB Interfaces, RME, RME USB Audio Interfaces